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Cameras
Cinema format for every kind of production — from docuseries to feature films.
ARRI Alexa Mini
Super 35 4K, ProRes and ARRIRAW. The ARRI color science that defined modern cinema, in a compact body.
Cinema A-camera
Sony Burano
8.6K full frame Cinema Line with autofocus, stabilization and variable ND. A-camera power for agile crews.
Cinema A-camera
RED Gemini 5K S35
5K Super 35 dual ISO sensor, exceptional in low light. REDCODE RAW for maximum control in post.
Cinema camera
Blackmagic URSA Cine 12K
12K RGBW large format with wide latitude and Blackmagic RAW. Extreme resolution for VFX and big productions.
Large Format
Sony FX9
6K full frame with Fast Hybrid AF and variable electronic ND. Supplied with loupe.
Full Frame
RED Komodo 6K
6K Super 35 with global shutter in under a kilo. RF mount, internal REDCODE RAW.
Compact 6K
Blackmagic URSA Mini Pro G2
Super 35 4.6K with internal ND, BRAW and ProRes. A versatile workhorse for any set.
Super 35
Canon EOS C80
6K full frame with RF mount, Dual Pixel AF II and internal RAW. A compact, modern cinema camera.
Cinema camera
Sony FX6
4K full frame with dual base ISO and electronic ND. The go-to compact for documentaries and branded content.
Full Frame
Canon EOS C70
Super 35 4K with DGO sensor, internal ND and RF mount. Excellent dynamic range in a compact body.
Super 35
Blackmagic PYXIS 6K + Monitor
Full-frame 6K box camera with Blackmagic RAW — modular and rig-friendly. Dedicated monitor included.
Box camera
Canon EOS C50
Next-generation Canon cinema camera with RF mount — compact and ideal for run-and-gun productions.
Cinema camera
Sony FX3
Full-frame 4K in a compact body, with benchmark S-Cinetone and low-light performance. Perfect as an A- or B-cam.
Compact
Blackmagic Cinema Camera 6K Full Frame
Full-frame 6K with Blackmagic RAW. Available with EF or PL mount adapter.
Full Frame
Canon EOS R6 Mark III
Latest-generation full-frame hybrid mirrorless: high-end stills and video, excellent as a B-cam.
Mirrorless
Sony A7S III
The full-frame mirrorless king of low light: 4K 120p and 15 stops of dynamic range.
Mirrorless
Sony A7 IV
33MP full-frame hybrid mirrorless: 4K 10-bit, excellent autofocus. Perfect as a B-cam or on a gimbal.
Mirrorless
Blackmagic Pocket Cinema Camera 6K Pro
Super 35 6K with built-in ND filters and Blackmagic RAW. Cinema look in a pocket-sized body.
Super 35
Blackmagic Pocket Cinema Camera 4K
Micro Four Thirds 4K with Blackmagic RAW and dual native ISO. Cinema look on a tight budget.
Micro Four Thirds
DJI Mavic 2 Pro
Drone with a 1-inch 20 MP Hasselblad camera and 4K video. Remote controller included.
Drone
DJI Mini 3 Pro
Ultralight sub-249 g drone shooting 4K HDR. Remote controller included.
Drone
DJI Osmo Pocket 3
Pocket-sized camera on a 3-axis gimbal with a 1-inch sensor and 4K 120p. Ideal for vlogs and b-roll.
Pocket cam
GoPro Hero 12 Black
5.3K action cam with HyperSmooth, waterproof. Perfect for POV, sports and extreme shooting.
Action camLenses
Primes, zooms and anamorphics for any look, from pure realism to the softest bokeh.
Cooke S4/i Mini Kit 18, 25, 32, 50, 75, 100, 135mm
Seven T2.8 focal lengths from 18 to 135mm. The famous 'Cooke Look': soft, inimitable skin rendering.
Cine Prime
ARRI Ultra Prime Kit 16, 24, 32, 50, 85, 135mm
16-135mm kit by ARRI/Zeiss. The set standard: uniform sharpness and neutral colour rendering.
Cine Prime
Atlas Orion Anamorphic Full Kit 32, 40, 50, 65, 80, 100mm
Six 2x anamorphics from 32 to 100mm. Blue flares, oval bokeh and modern cinematic character.
Anamorphic
Atlas Orion Anamorphic Kit 1 (40, 65, 100mm)
2x anamorphic trio 40/65/100mm. The Orion look in a compact set-up for agile shoots.
Anamorphic
Atlas Orion Anamorphic Kit 2 (32, 50, 80mm)
2x anamorphic trio 32/50/80mm, complementary to Kit 1 to cover the full Orion series.
Anamorphic
Cooke Varotal 25-250mm
Legendary 10x 25-250 zoom. The vintage Cooke look: soft, organic, film-like.
Vintage Zoom
Cooke SP3 Speed Panchro Kit 18, 25, 32, 50, 75, 100mm (E/RF/L)
The rebirth of the legendary Speed Panchro: full frame, E/RF/L mount. Vintage Cooke look in a compact body.
Cine Prime
IronGlass MKII 6-Lens Kit (PL)
Six rehoused vintage Soviet primes in MKII housings, PL mount. One-of-a-kind flares and period character with modern mechanics.
Vintage rehoused
IronGlass Zeiss Jena Kit 20, 28, 35, 50, 85, 120mm
Rehoused Carl Zeiss Jena set for cinema, 20 to 120mm. Soft vintage rendering with signature flares.
Vintage rehoused
Sigma Cine Classic Full Kit 10 Lenses 14-135mm
Ten full-frame primes with Classic coating: pronounced flares and low contrast for a modern vintage look.
Cine Prime
Sigma Cine Classic Half Kit 20, 28, 40, 65, 85, 135mm
Six Classic focal lengths from 20 to 135mm. Low-contrast vintage look in a compact kit.
Cine Prime
DZOFilm Arles 10-Lens Kit 14-180mm
Ten full-frame T1.4 primes from 14 to 180mm. Total coverage with a modern, consistent rendering.
Cine Prime
DZOFilm Arles Kit 1 (14, 25, 40, 75, 135mm)
Five full-frame T1.4 primes from 14 to 135mm. A versatile selection from the Arles series.
Cine Prime
DZOFilm Arles Kit 2 (21, 35, 50, 100, 180mm)
Five full-frame T1.4 primes from 21 to 180mm. Complements Kit 1 to build the complete set.
Cine Prime
Zeiss CP.3 Kit 15, 25, 35, 50, 85mm
Five full-frame focal lengths from 15 to 85mm. Sharp, compact and reliable: the indie standard.
Cine Prime
DZOFilm Pavo 2x Anamorphic Kit 28, 32, 40, 55, 75, 100mm
Six 2x anamorphics from 28 to 100mm. Oval bokeh and elegant flares at an accessible price.
Anamorphic
DZOFilm Pavo 2x Anamorphic 3-Lens Kit (28/40/75 or 32/55/100)
A 2x anamorphic trio in a choice of two configurations. The Pavo look in a lightweight package.
Anamorphic
DZOFilm Vespid 2 Kit 16, 24, 35, 50, 85, 105mm
Six next-generation full-frame primes. Compact, fast, and perfectly matched across the entire set.
Cine Prime
DZOFilm Vespid Prime 8-Lens Kit
Eight full-frame T2.1 primes. A complete, lightweight, and dependable kit for any production.
Cine Prime
DZOFilm Vespid Prime 4-Lens Kit
Four full-frame primes of your choice: 16/35/75/100 or 25/50/90 Macro/125. An essential, budget-friendly kit.
Cine Prime
DZOFilm Pictor Zoom 20-55 and 50-125mm (EF/PL)
A pair of parfocal Super35 cine zooms in EF/PL. The 14-30mm is also available.
Zoom
DZOFilm Catta Zoom 35-80 and 70-135mm (Full Frame)
A pair of full-frame T2.9 zooms. Continuous coverage and a compact footprint for cine mirrorless.
Zoom
Sigma 18-35mm and 50-100mm Cine Rehoused
A pair of fast Super35 zooms rehoused for cinema. 18-100mm coverage at a constant aperture.
Zoom
DZOFilm X-Tract Macro Zoom Probe 18-28mm T8
18-28mm T8 macro probe zoom. Impossible perspectives and close-up detail in motion.
Probe
Laowa 24mm Macro Probe
2:1 macro probe lens with a waterproof tip. Impossible framings flush with the subject.
Probe
Laowa 12mm Zero-D (PL)
Extreme rectilinear wide-angle in PL. Near-zero distortion for interiors and architecture.
Wide-Angle
Blazar Cato Anamorphic Kit 50, 85, 125mm (PL/EF)
Full-frame anamorphic trio 50/85/125 with PL/EF mount. Available on quote.
Anamorphic
Great Joy 1.8x Anamorphic Kit 35, 50, 85mm
1.8x anamorphic trio in 35/50/85. Bold squeeze and cinematic flares on a modest budget.
Anamorphic
Vazen Anamorphic Kit 28, 40, 65mm (Canon RF)
28/40/65 anamorphic trio with Canon RF mount. Compact scope look for RF cine cameras.
Anamorphic
Vazen 1.8x Anamorphic Kit 28, 40, 65mm (Micro 4/3)
1.8x anamorphic trio in 28/40/65 for Micro 4/3. The format's anamorphic benchmark.
Anamorphic
Sirui 1.6x Full Frame Anamorphic Kit 35, 50, 75, 100mm (Sony E)
Four 1.6x full-frame anamorphics for Sony E. Accessible scope look; 135mm on the way.
Anamorphic
Sirui Jupiter Macro Kit 24, 35, 50mm
24/35/50 full-frame macro primes. Close focusing and clean cine rendering.
Macro
Lomography Petzval Kit 35, 55, 80.5mm (Sony E)
Petzval trio with controllable 'swirl' bokeh. Old-world artistic look on Sony E.
Art lens
Meike Cine 8-Lens Kit 8-85mm (Micro 4/3)
Eight cine focal lengths from 8 to 85mm for Micro 4/3. A complete, fast kit for the format.
Cine Prime
Meike Cine 4-Lens Kit (Micro 4/3)
Four focal lengths of your choice: 8/16/35/65 or 12/25/50/85. Agile, budget-friendly kit for Micro 4/3.
Cine Prime
Nikkor AI Cinemod 20-135mm Set (Canon EF)
Six vintage primes 20-135mm cinemodded by Simmod: declicked aperture, geared focus and 85mm filters. Canon EF mount.
Vintage
Leica R 24-135mm Set
Five vintage Leica R primes: 24, 35, 50, 90 and 135mm. Creamy rendering and unmistakable color for a cinematic look.
Vintage
Carl Zeiss Jena 20-135mm Set (Canon EF)
Six vintage Carl Zeiss Jena primes from 20 to 135mm: soft look and period flare. Canon EF mount.
Vintage
Super Takumar 24-135mm Set (Canon EF)
Five vintage Super Takumar primes 24, 35, 50, 85 and 135mm: warm flares and a retro look. Canon EF mount.
Vintage
Sony G Master f/1.4 14-135mm Set
Sony G Master f/1.4 primes from 14 to 135mm: reference-grade sharpness and excellent bokeh. E mount. On quote.
Primes
Canon RF f/1.4 L VCM Prime Set
A set of fast f/1.4 L VCM primes for RF mount, from wide angle to 85mm. Ideal for hybrid photo/video work.
Primes
Canon RF 24-105mm and 70-200mm f/2.8
Fast, constant-f/2.8 zooms for RF mount, covering 24-200mm. Power Zoom Adapter available. On request.
Zoom
Sony G Master 16-35, 24-70 and 70-200mm f/2.8
The G Master f/2.8 zoom trinity for E mount. Priced per lens, GM II versions also available.
Zoom
Sony FE 12-24mm GM
An ultra-wide-angle G Master zoom for E mount: ideal for architecture, interiors and immersive shooting.
Zoom
Sony FE 100-400mm GM and 200-600mm G
Super-telephoto zooms for E mount, perfect for sports, wildlife and nature filming.
Tele zoom
Sony FE 100mm Macro GM OSS
The G Master 100mm f/2.8 macro lens with OSS stabilization: extreme detail for still life and close-ups.
Macro
Sony 28, 35, 50 and 85mm f/1.8 Kit
A kit of 4 fast f/1.8 primes for E mount: light and compact, perfect on gimbals and quick setups.
PrimesStabilizers & Camera movement
Gimbals, steadicam, easyrig, sliders and dollies — smooth movement for every shot.
DJI Ronin 2
Professional 3-axis gimbal for cinema cameras up to 13.6 kg. The standard for dynamic on-set moves.
Gimbal cinema
O'Connor 2575/B Fluid Head + Standard Legs
The legendary fluid head for heavy cinema cameras: flawless pan and tilt. Supplied with standard legs.
Fluid head
Steadicam Flyer (up to 8 kg)
Steadicam system with vest and arm for cameras up to 8 kg. Two V-mount batteries included.
Steadicam
Movomax Rickshaw
Push-along camera rickshaw for chases and smooth long takes. An agile alternative to the dolly on any terrain.
Camera movement
Easyrig Vario 5 + Serene
Body rig with Serene arm for shoulder and cinema cameras: takes the weight off and smooths the movement.
Body rig
Tilta Hydra Alien + DJI RS 2 (car system)
Suction-cup rig for car-to-car shooting with the DJI RS 2 gimbal. Stable images at high speed.
Car system
Tilta Float + DJI RS 2 Pro (kit)
Dual-handle rig with shock-absorbing arm for the DJI RS 2: comfort on long takes, a Steadicam-like gait.
Gimbal support
DJI RS 3 Pro
3-axis carbon-fibre gimbal, 4.5 kg payload. Automatic axis locks, LiDAR-focus ready.
Gimbal
DJI RS 2 Pro
3-axis carbon-fibre gimbal, 4.5 kg capacity. Reliable for mirrorless and lightweight cine cameras.
Gimbal
Cartoni C20S Head (up to 36 kg)
Heavy-duty fluid head for configurations up to 36 kg. Continuous balancing, precise moves.
Fluid head
Easyrig Minimax + Stabil Light
Compact body rig with Stabil Light module: cuts fatigue and micro-bounce with lightweight cameras.
Body rig
Easyrig Minimax
Compact body rig that offloads the camera's weight onto your torso. Ideal for documentaries and long days.
Body rig
Sachtler Video 18 Tripod (up to 18 kg)
Tripod with 18 kg-class fluid head, the broadcast standard for ENG and light cinema.
Tripod
Movomax 1.5 m Slider (extendable to 3 m)
1.5 m slider extendable to 3 m for wide, fluid tracking shots in studio and on location.
Slider
Movomax 1.2 m Slider (extendable to 2.4 m)
1.2 m slider extendable to 2.4 m: long travel in a compact footprint.
Slider
Proaim 120 cm Slider (up to 50 kg)
Heavy-duty 120 cm slider rated up to 50 kg. Built for cine cameras in full build.
Slider
Shootools 1 m Slider + Manfrotto Head (up to 14 kg)
1 m slider with Manfrotto head, rated up to 14 kg. Smooth, repeatable camera moves.
Slider
Onyon 1 m Motorized Slider (with autopan)
Motorised 1 m slider with autopan for timelapse and programmed camera moves.
Slider
Proaim 60 cm Slider (up to 70 kg)
Compact 60 cm high-capacity slider. Ideal for short moves even with heavy cameras.
Slider
Smartsystem 40/80 cm Slider (up to 10 kg)
Slider available in two lengths (40 and 80 cm) for cameras up to 10 kg. Light and quick to set up.
Slider
Cartoni Focus 12 Tripod (up to 12 kg)
Tripod with Cartoni Focus 12 fluid head for cameras up to 12 kg. Made-in-Italy smoothness.
Tripod
Cartoni Focus HD Tripod (up to 12 kg)
Tripod with 12 kg-class Cartoni fluid head, for HD cameras and compact cine bodies.
Tripod
Sirui SH30 Tripod (up to 18 kg)
Video tripod with fluid head, rated up to 18 kg. Versatile choice for run-and-gun work.
Tripod
Manfrotto 504 HD Tripod
Video tripod with Manfrotto fluid head and adjustable counterbalance. A crew classic.
Tripod
Cartoni Focus 8 Tripod (up to 8 kg)
Tripod with Cartoni Focus 8 fluid head for cameras up to 8 kg. Compact and precise.
Tripod
Yag + Shootools Gimbal (up to 5 kg)
Gimbal kit with Shootools system for cameras up to 5 kg. Stabilized shots on the move.
Gimbal
Body Rig Support (Easyrig-style)
Body rig that transfers the camera's weight onto your torso: the budget alternative to the Easyrig.
Body rig
Camera Shoulder Rig (various models)
Shoulder rigs in various models for comfortable, steady handheld work. Prices starting from.
Shoulder support
Cartoni Focus 22 with Standard Legs
A tripod system with a 100 mm Cartoni fluid head: patented continuous drag and counterbalance for cine and broadcast cameras.
Tripod
Cartoni EFP Tripod (100 mm Bowl)
Aluminium EFP tripod legs with a 100 mm bowl: a stable, lightweight base for broadcast fluid heads.
Tripod
Cartoni C40 S with Standard Legs
Heavy-duty fluid head with legs for studio and cine builds: 8-step counterbalance and adjustable drag.
Fluid Head
Manfrotto 503/525 Tripod Kit
A classic video kit: 503HDV fluid head on 525MVB legs with spreader, reliable support for compact and mid-size cameras.
Tripod
Sirui BCH-30 Video Tripod
Tripod system with the Sirui BCH-30 fluid head (100 mm bowl): fluid pan/tilt and counterbalance for broadcast and cinema cameras.
Tripod
Benro Hi-Hat with 100 mm Bowl
Mini hi-hat tripod with 100 mm bowl for low-angle shooting: independently adjustable legs and a stable base for video heads.
Hi-Hat
Filmcart Smart One Cart
Folding two-shelf set cart: hauls your equipment and doubles as a work surface, pneumatic wheels with brake.
Cart
Proaim Polaris Camera Dolly
Portable dolly on speed rail with 16 polyurethane wheels: smooth, quiet tracking shots, capacity up to 200 kg, Mitchell and bowl mounts.
Dolly
Shootools 120 cm Motorized Slider Kit
120 cm motorised slider complete with stands and head: programmable, repeatable moves for filming and timelapse.
Slider
Shootools 120 cm Slider
Manual 120 cm slider with smooth bearing travel: precise tracking shots even with cinema cameras, on the ground or on stands.
Slider
Proaim Jib Crane for DJI RS 2/RS 3
Jib arm compatible with DJI RS 2/RS 3 gimbals: aerial moves and dynamic sweeps with quick mounting on a tripod or stand.
Jib
Proaim Powermatic Scissor 17ft Telescopic Crane
Telescoping pantograph crane: the arm extends and retracts up to 17 feet under remote control, delivering Technocrane-style moves.
Crane
Tilta Lightweight Shoulder Rig
Lightweight Tilta shoulder rig with rosette-mounted, adjustable handgrips and a shoulder pad: stable, comfortable handheld shooting.
Shoulder Rig
Snorricam Rig for POV Shots
Body-mount harness that locks the camera to the actor: subject fixed in frame, background in motion — the classic POV effect.
SnorricamLighting
LED, RGB and tungsten for every situation — interiors, exteriors, day and night.
Nanlux Evoke 2400B
2400W bicolor LED with discharge-level output in a single fixture. Motorized Fresnel available.
LED
ARRI SkyPanel S60
The reference LED soft light on cinema sets, flawless color. Full accessory kit available.
Soft light
Creamsource Vortex4
High-output 1x1 RGBW LED panel, weatherproof. Supplied with accessories.
RGBW LED
Nanlux Evoke 1200B Bicolor
1200W bicolor LED with softbox and Fresnel. Power and color flexibility for any set.
LED
Nanlux Evoke 1200
1200W daylight LED, output comparable to a 2500W discharge. Softbox or Fresnel available.
LED
Astera Titan Tube Kit
Wireless battery-powered LED tube kit with controller and tablet: pixel control and true set effects.
LED tubes
Nanlux Dyno 650C
650W RGBWW LED panel, roughly double the output of a SkyPanel S60. Optional softbox.
RGBWW LED
Litepanels Gemini 2×1
RGBWW 2x1 soft panel with SnapGrid: soft, controlled, full-color light.
Soft light
Aputure LS 600C Pro
600W RGBWW full-color LED, Bowens mount. Power and creativity for interiors and exteriors.
LED RGB
Nanlite Forza 720 / 720B
720W LED monolight in daylight or bicolor. Fresnel and softbox available.
LED
Nanlite Forza 500B II
New-generation 500W bicolor LED, Bowens mount. Compact and powerful.
LED
Nanlite Forza 500
500W daylight LED, Bowens mount. Optional 26V V-Mount batteries; Fresnel and softbox available.
LED
Nanlite Forza 300B II
New-generation 300W bicolor LED, lightweight and reliable.
LED
Nanlite Forza 300B Bicolor
300W bicolor LED with optional V-Mount batteries. Fresnel and softbox available.
LED
Nanlite Forza 300
300W daylight LED, a workhorse for interviews and light setups. Fresnel and softbox available.
LED
Nanlite MixPanel 150 with Softbox
150W RGBWW LED panel with built-in effects, softbox included.
LED RGBWW
Nanlite FS-300B Bicolor
Studio LED monolight with Bowens mount. Optional Fresnel or softbox.
LED
Nanlite FS-200 Daylight
Compact daylight LED monolight with Bowens mount. Optional Fresnel or softbox.
LED
Nanlite Forza 60C RGBLAC
Compact 60W full-colour RGBLAC LED: small, bright and versatile.
RGB LED
Nanlite Forza 60B with Fresnel
Compact bicolour LED with Fresnel, optional V-Mount battery. Ideal as an accent light.
LED
Nanlite PavoTube II 30X 8-Tube Kit with Controller
Kit of 8 RGBWW LED tubes, 120cm, with a control box for centralised control and effects.
LED Tubes
Nanlite PavoTube II 30X (4 pcs)
Set of 4 battery-powered RGBWW LED tubes, 120cm, with effects and pixel control.
LED Tubes
Nanlite PavoTube 30C (4 pcs - 125cm)
Set of 4 battery-powered RGBWW LED tubes, 125cm, for colour accents and ambient light.
LED Tubes
Nanlite PavoTube 30C (2 pcs - 125cm)
Pair of battery-powered RGBWW LED tubes, 125cm: colour and atmosphere anywhere.
LED Tubes
Nanlite PavoTube II 15X
60cm RGBWW LED tubes with internal battery and pixel control.
LED Tubes
Nanlite PavoTube T8-7X (4 pcs)
Set of 4 slim 1m RGBWW LED tubes, ideal for hiding in the set.
LED Tubes
Nanlite PavoTube II 6C (2 pcs)
Pair of 25cm battery-powered RGBWW mini LED tubes, perfect for accents in tight spaces.
LED Tubes
Aputure B7c 8-Bulb Kit RGBWW
Kit of 8 RGBWW LED bulbs with a simultaneous charging case: creative light in any E27 socket.
LED Bulbs
Aputure Amaran F21c Flex LED 2×1 RGBWW
Flexible 2x1 full-color RGBWW LED panel with softbox: lightweight and shapeable anywhere.
Flex LED
Aputure Amaran F21b Flex LED 2×1 Bicolor
Flexible 2x1 bicolor LED panel with softbox, ideal for recesses and tight spaces.
Flex LED
Profoto D30 Battery-Powered
Compact battery-powered Profoto flash for still photography and set stills.
Flash
Tungsten Fresnel 150 / 300 / 650 / 1000W
Classic tungsten Fresnels from 150 to 1000W, available on request.
Tungsten
Bowens Projection Attachment for Forza 300B / 500
Projection spotlight with Bowens mount for the Forza 300B and 500: crisp light cuts and gobos.
Projection Spot
Projection Attachment for Forza 60
Compact projection spotlight for the Nanlite Forza 60, for precise light cuts.
Projection Spot
Quadrabox, Octabox and Lantern
Modifiers for soft, wrapping light: quadrabox, octabox, and lantern.
Diffusion
K5600 Joker-Bug 200W Kit
Compact 200 W HMI PAR: true daylight with minimal power draw, ideal for interviews, interiors and car shots.
HMI
K5600 Joker-Bug 400W Kit
400W HMI PAR with versatile spot-to-flood optics: a go-to for daylight interiors and location shooting.
HMI
Aputure LS 600X Pro
600W bi-color LED COB with Bowens mount: a powerful, versatile key light for interior and exterior sets.
LED COB
Aputure LS 300X
Compact bi-color LED COB with Bowens mount and adjustable color temperature: nimble for interviews and small sets.
LED COB
Aputure LS 60x
60W bi-color LED fixture with adjustable 15deg-45deg beam and battery power. Compact, ideal as an accent light on set.
LED Bi-Color
Aputure Amaran 200x
200W bi-color COB (2700-6500K) with Bowens mount and Sidus Link app control. A versatile key light for interviews and small sets.
LED COB
Aputure Amaran 300c
300W full-color RGBWW COB with Bowens mount (2500-7500K). A powerful key light with full color control for creative sets.
LED COB
Aputure Amaran F21x (Flex 60×30 cm)
100W bi-color flexible LED panel, 60x30 cm, with V-Mount control box. Ultra-light, mounts anywhere for a soft light.
Flex LED
Aputure Amaran F22c (Flex 60×60 cm)
200W full-color RGBWW flexible LED mat, 60x60 cm, V-Mount powered. Soft light and creative color even in tight spaces.
Flex LED
Aputure Amaran P60c (3-Panel Kit)
Kit of 3 RGBWW LED panels, 60W each, with 45deg optics and CRI 95+. Fast three-point lighting, also NP-F battery powered.
LED Kit
Godox KNOWLED MG1200Bi
High-output 1200W bi-color COB (2800-6500K) with IP54 rating and DMX/CRMX control. A primary source for large sets and exteriors.
LED COB
Rotolight NEO 3 (3-Light Kit)
A kit of three NEO 3 RGBWW LED lights with stands, diffusers and a hard rolling case. Continuous light or flash, plus a vast library of digital filters.
LED Kit
Aputure MC 4-Light Travel Kit
A travel kit with four pocket-sized MC RGBWW lights and a charging case. Fast color accents and effect lights anywhere on set.
RGB Kit
Nanlite PavoSlim 240CL
An ultra-slim RGBWW LED panel in 4x1 format (240W) with pop-up softbox and CRMX. Soft, lightweight light, ideal in tight spaces.
LED Panel
Nanlite PavoBulb 10C
An RGBWW LED bulb with E27 base: a compact practical light for color accents and hidden light sources on set.
RGBWW LED
Aputure Spotlight Mount (36° Lens)
A projection attachment with a 36° lens for Bowens-mount Aputure lights: a crisp beam, barn doors and gobos for precise light shaping.
Projection Attachment
Godox KNOWLED GP36K (36° Projection)
A G-Mount projection optic with a 36° lens for the Godox KNOWLED MG1200Bi/MG2400Bi: a precise spot, gobos and crisp cuts.
Projector
Aputure Light Dome 150
A 150 cm parabolic softbox with Bowens mount: soft, wrapping light for cinematic key lights and portraits.
Softbox
Aputure Lantern 90 (Bowens)
A 90 cm lantern with Bowens mount: soft omnidirectional diffusion, perfect for lighting environments and interiors.
Lantern
DoPchoice Snapbag Octa 5′
A 5-foot octagonal softbox with quick setup: cine-quality soft light, compatible with SNAPGRID grids.
Octa SoftboxMonitors & Video transmission
Check the image on set and send the signal wirelessly to the video village and clients.
Teradek Bolt 6 750 (1 TX / 2 RX)
Zero-latency wireless video transmission on the 6GHz band, 750 ft range. Kit with one transmitter and two receivers.
Wireless Video
Teradek Bolt 6 750 HDMI (1 TX / 2 RX)
HDMI version of the Bolt 6 750: zero-delay wireless video up to 750 ft on the 6GHz band, with two receivers.
Wireless Video
TVLogic 18.5"
18.5" broadcast monitor for video village and video assist. A dependable reference in the studio and on set.
Video village monitor
Atomos Sumo 19″
19" 1200-nit HDR monitor-recorder: records 4K ProRes/RAW and doubles as a video-village and client monitor on set.
Monitor-recorder
SmallHD Cine 7
7" Full HD monitor at 1800 nits, readable in full sun. Professional toolset and LUT support.
On-camera
TVLogic F-10A 10″
10.1" Full HD field monitor with SDI/HDMI inputs, ideal for lightweight directing and video assist.
Field monitor
Vaxis Storm 1000S
Zero-latency SDI/HDMI wireless system with range up to 1000 ft. Reliable for directing and focus pullers.
Wireless video
SmallHD 702 Touch
7" touch monitor at 1500 nits, perfect for focus pullers and on-camera use on location.
Focus puller
SmallHD Cine 5
5" on-camera monitor at an ultra-bright 2000 nits, touch controls and the full SmallHD toolset.
On-camera
TVLogic F-5A 5.5"
Compact, lightweight 5.5" Full HD monitor, ideal for focus pullers and gimbal setups.
Focus puller
SmallHD 7.7" OLED
7.7" OLED monitor with absolute blacks and accurate colour, for critical image evaluation.
OLED
Atomos Shogun Inferno 7″
7" HDR monitor-recorder: records 4K ProRes/RAW to SSD. Supplied with a 1TB SSD and full cage.
Recorder
Atomos Ninja V
5" 1000-nit HDR monitor-recorder capturing 4K ProRes/RAW to SSD. Includes 1TB of media.
Recorder
Hollyland Cosmo 600
Zero-latency wireless SDI/HDMI video transmission, range up to 600 ft.
Wireless video
Hollyland Mars 4K (1 TX / 2 RX)
Low-latency 4K HDMI/SDI wireless kit with 1 transmitter and 2 receivers, ideal for on-set monitoring.
Wireless video
Hollyland Mars 400 Pro
Compact HDMI/SDI video transmitter, 400 ft range. Second TX available.
Wireless video
Hollyland Mars 300 / 300 Pro
Compact HDMI TX/RX kit for lightweight wireless monitoring on gimbals and mirrorless cameras.
Wireless video
17" V-Mount Production Monitor
17" reference monitor powered by V-Mount batteries, with light-stand support. Ideal for mobile directing.
Director's monitor
Seetec 15″ HDMI
15" HDMI reference monitor for directing and image control on set.
Director's monitor
7" SDI/HDMI 2200 nit Field Monitor
7" SDI/HDMI ultra-bright monitor at 2200 nits with LUT support, readable in full sunlight.
Ultra bright
6" HDMI 2700 nit Field Monitor
6" HDMI ultra-bright monitor at 2700 nits with LUT support, for on-camera use outdoors.
Ultra bright
Feelworld 5″
Compact, budget-friendly 5" HDMI monitor for on-camera use.
On-cameraFilters
ND, IR, diffusion and effects — full control over exposure and look.
NiSi ND IR 4x5.65 Filter Set (1-5 Stop)
IR ND 4x5.65 set from 1 to 5 stops. Exposure control with no infrared cast and cinema-grade optical quality.
ND
NiSi ND IR 4x4 Filter Set (1-5 Stop)
IR ND set in 4x4 format from 1 to 5 stops. Colour neutrality and IR blocking for compact matte boxes.
ND
Lindsey Optics Close-Up Diopter Set +1 / +2
+1 and +2 close-up lenses on tray to reduce minimum focus distance. Ideal for macro and detail work.
Close-up
Tiffen Glimmer Glass 4x5.65 Filter Set (1/8, 1/4, 1/2)
Tiffen's iconic diffusion: soft highlights and smoothed skin tones. Grades 1/8, 1/4 and 1/2.
Diffusion
Tiffen Black Glimmer Glass Filter Set (1/8, 1/4, 1/2)
Gentle diffusion in the Black version: contrast preserved and deeper blacks. Grades 1/8, 1/4 and 1/2.
Diffusion
Tiffen Soft/FX Filter Set (1/2, 1)
Softens skin detail while keeping the eyes sharp. A classic for portraits and beauty. Grades 1/2 and 1.
Diffusion
Tiffen Black Pearlescent 4x5.65 Filter Set (1/8, 1/4)
Pearlescent glow on the highlights with controlled contrast and an organic look. Grades 1/8 and 1/4.
Diffusion
Tiffen Black Satin 1/2 Filter
Subtle, near-invisible diffusion: silky skin and softened highlights with no loss of contrast. Grade 1/2.
Diffusion
NiSi Allure Mist Black 4x5.65 Filter Set (1/4, 1/8)
Black mist 4x5.65: blooming highlights and reduced contrast while keeping blacks solid. Grades 1/4 and 1/8.
Diffusion
NiSi Allure Mist White 4x5.65 Filter Set (1/4, 1/8)
White mist 4x5.65 for an ethereal look: diffused highlights and softened contrast. Grades 1/4 and 1/8.
Diffusion
ARRI Rota Pola 4x5.65 Polarizer Filter
ARRI rotating polarizer 4x5.65: cuts reflections and saturates skies and surfaces, with precise rotation right in the matte box.
Polarizer
NiSi Variable ND Clamp-On Cinema Series 95mm (1.5-5 Stop)
Clamp-on variable ND from 1.5 to 5 stops for lenses with a 95mm front. Fast exposure control without a matte box.
Variable ND
NiSi Variable ND Filters 72/77/82mm
Screw-on variable NDs in 72, 77 and 82mm diameters. Immediate exposure control on exteriors.
Variable ND
NiSi Pure Clear 4x5.65 Filter
4x5.65 optical clear filter to protect the lens front with zero loss in quality.
Protection
NiSi IRND Graduated Hard Edge 4×5.65 (Kit)
Hard-edge IRND graduated filter kit: balances bright skies with defined horizons. 4×5.65 cinema format for matte box.
GND Filter
NiSi IRND Graduated Soft Edge 4×5.65 (Kit)
Soft-edge IRND graduated filter kit, ideal with irregular horizons. 4×5.65 cinema format for matte box.
GND Filter
Tiffen Glimmerglass 4×5.65 (1/8, 1/4, 1/2 Kit)
Diffusion kit in three grades: soft halation on highlights and smoothed skin tones while preserving apparent image sharpness.
Diffusion
Tiffen Variable ND 82mm
Variable ND filter from 2 to 8 stops with rotating ring: fast exposure control without swapping filters.
Variable NDLight Control & Grip
C-stands, flags, diffusion frames, dollies and stands — the complete grip department.
Lightbridge CRLS C-Move Kit
CRLS reflector system for precise indirect light. Cinematic beam control, quick and lightweight setup.
Reflectors
Godox KNOWLED LiteFlow K1
Lightstream reflector kit for precise bounces and controlled natural light on set.
Reflectors
GFM Flatbed Dolly with Turret + 10m Track
GFM skate dolly with turntable and 10 meters of track for smooth, precise camera moves. Bazooka not included.
Dolly
GFM Bazooka Kit with Ground Spider
GFM bazooka column with floor spider: height-adjustable camera support, solid and quick to rig.
Supports
GFM Hi-Hat with 100mm Bowl
GFM hi-hat with 100mm bowl mount for ground-level shots or rigging on flat surfaces.
Supports
Manfrotto Skylite Rapid 3×3
Skylite Rapid 3x3 m frame with 1.25 or 0.75 stop diffusion fabric. Soft light over large areas.
Diffusion
Manfrotto Skylite Rapid 2×2
Skylite Rapid 2x2 m frame with diffusion or white/black fabric. Compact and quick to set up.
Diffusion
Modular Frame up to 4x4
Modular aluminium frame, configurable at 2x2 and 4x4 m for fabrics, diffusion and overhead bounce.
Frames
4x4 Fabrics (Silk, Muslin, Grid Cloth)
Silk diffusion, bleached/unbleached muslin and 4x4 grid cloth in various grades. Available on request.
Fabrics
Special Fabrics for Skylite 2x2/3x3
Gold, silver, ultrabounce, gold/silver mix, honeycomb, grid cloth and muslin fabrics for 2x2 and 3x3 frames.
Fabrics
2x2/3x3 Bluff Bounce Fabrics
Two-tone bounce fabrics for Skylite 2x2 and 3x3: more natural, softer reflections on faces.
Bounce
60x90 Cloth Flag Kit (5 pcs)
Kit of 5 solid flags 60x90 complete with frames for precise light control.
Flags
60x90 Cloth Flag Kit (2 pcs)
Kit of 2 solid flags 60x90 complete with C-stands and gobo arms for quick light cuts.
Flags
40x60 Cloth Flag Kit (4 pcs)
Kit of 4 solid flags 40x60 complete for cuts and light control on set.
Flags
1x1 Floppy Cutter with C-Stand
Floppy cutter 1x1 m complete with C-stand: wide light cuts and instant negative fill.
Flags
120x120 Frames with Frost and C-Stand
120x120 frame with frost, complete with C-stand. Gentle diffusion for direct sources.
Diffusion
1x1 White/Black Polystyrene with C-Stand
White/black 1x1 m polyboard complete with C-stand for soft bounce and negative fill.
Bounce
Specialty Polyboards (Silver, Gold, Mirror)
Specialty white/silver, white/gold and white/mirror polyboards for custom reflections. On quote.
Bounce
400W/900W Smoke Machine
400W or 900W smoke machine for atmosphere and light volume on set. On request.
Effects
Haze Machine 1200W
1200W haze machine with fluid included: fine, uniform haze for cinematic light rays.
Effects
Assorted Grip Accessorieses (Autopole, C-Stand, Apple Box, Sandbag)
Autopoles, heavy-duty stands, magic arms, apple boxes, sandbags, gaffer clips, clamps, extension cords, green screen and set odds and ends. On request.
Grip
Butterfly 2×2 m (8×8 ft)
Overhead frame for diffusion, silk or solid fabrics: shapes and softens light on set and outdoors. With ears for stands.
Butterfly
Butterfly 3×3 m (12×12 ft)
Large overhead frame for controlling light across wide scenes: diffusion, bounce or negative fill with the matching fabrics.
Butterfly
Floppy Flag 1×1 m
Black flag with a fold-over flap that doubles its surface: cuts light and creates negative fill in seconds.
Flag
Kupo Open End Flag Kit 24×36″
24×36" open-end flag kit with solid, silks and single/double nets plus carry bag: complete light control on set.
Flag
Gel Frame 1×1 m (4×4)
Flat-profile 4×4 frame for quickly mounting gels and diffusion; fixes to stands and grip heads via pin.
Frame
Green Screen 6x3 m with Stands
Synthetic 6×3 m chroma key green screen complete with support stands. Ideal foundation for green screen shooting on set and in virtual studios.
Green Screen
Kupo Master C-Stand 20" CT-20MK (Turtle Base)
Compact C-stand with removable turtle base, 2.5" grip head and 20" grip arm. Holds 10 kg: perfect for flags and low-height lighting.
C-Stand
C-Stand with Grip Head and Grip Arm
Chrome-plated steel C-stand complete with grip head and gobo arm. The set's universal support for flags, frames and cutters.
C-Stand
Kupo Kupole Large (2,10–3,70 m)
Self-locking pressure pole between floor and ceiling, extending from 2.10 to 3.70 m. Fast rigging of backdrops and lights without stands.
Autopole
Kupo Kupole Medium (1,50–2,70 m)
Self-locking pressure pole, extending from 1.50 to 2.70 m. Ideal for fixing backdrops, lights and accessories without floor clutter.
Autopole
Avenger Combo Stand 10 A1010CS
Low chrome-plated steel combo stand, baby 16 mm and junior 28 mm fittings. Holds up to 30 kg: ideal for floor-level lights.
Combo Stand
Avenger Combo Stand 35 A1035CS (2 Risers)
Chrome-plated steel combo stand with 2 risers and a leveling leg, reaching up to 3.5 m. Holds heavy fixtures up to 40 kg.
Combo Stand
Kupo 483BT 3-Section Wind-Up
Crank-operated wind-up stand with 3 sections and a safety self-locking device: up to 3.8 m and 30 kg capacity. For fixtures and heavy heads.
Wind-Up
Manfrotto 420B Combi-Boom (Boom Stand)
Light stand that converts into a telescopic boom, counterweight bag included. Up to 3.9 m high, boom extension up to 1.9 m.
Boom
Manfrotto Mega Boom 425B
2-section boom arm with crank controls for pan, tilt and extension up to 3.6 m. Dual baby and junior mount.
Boom
Manfrotto Magic Arm 244N with Clamps
Variable-friction articulated arm with super clamps included: position monitors, lights and small accessories anywhere on set.
Magic Arm
Manfrotto Super Clamp 035
The universal clamp par excellence: grabs onto tubes, bars and edges to secure lights and accessories safely.
Clamp
Avenger F100 Junior Offset Arm (Offset Pipe)
Steel offset arm with a Junior 28 mm mount: cantilevers the fixture out past obstacles or off-axis from the stand.
Offset Arm
Manfrotto Pump Cup 241 (Suction Cup)
Pump-action suction cup with a 16 mm spigot mount: secures small lights and accessories on smooth surfaces, even glass and car bodywork.
Suction Cup
Proaim Camtree G-51 Car Mount
Three-cup professional car mount system: secures the camera to hood, doors and windows for stable moving shots.
Car MountAudio
Professional production sound capture, from the simplest set to the most demanding.
Tascam Audio Recorder
Tascam digital audio recorder for live sound and ambient recording.
AudioAccessories
Media, batteries, matte boxes, follow focus and everything that completes the kit.
Cmotion cPRO 2-Motor Kit
Professional wireless lens control with 2 motors (cPRO + cforce mini) and licensing for ARRI and RED cameras.
Lens control
Tilta Nucleus-M (Dual Set)
Wireless follow focus, complete dual set: two motors and handgrips for remote control of focus and zoom.
Lens control
Tilta Nucleus-M (Single Set)
Wireless follow focus with single motor and controller: reliable and versatile on gimbals and rigs.
Lens control
Tilta Nucleus Nano II
Ultra-compact wireless follow focus, configurable up to 2 motors. Ideal for gimbals and lightweight setups.
Lens control
Canon Power Zoom Adapter PZ-E2
Motorized power zoom adapter for Canon RF zooms: smooth, remotely controllable zoom moves.
Power zoom
Power Station 2kWh
2kWh power station: silent power for lighting and camera department, no generator.
Power
Power Station 1kW/1kWh
Portable 1kW/1kWh power station for exterior sets and locations off the grid.
Power
RED Mini-Mag 480GB
480GB RED Mini-Mag SSD recording media for RED cameras.
Media
CFast 2.0 Card Set (2 pcs)
Pair of high-performance CFast 2.0 cards for cinema and broadcast cameras.
Media
Tilta MB-T12 Matte Box (3-Stage)
3-stage Tilta matte box for 4x5.65 cinema filters: flare control and professional filter management.
Matte box
BlueShape Granite 190Wh V-Mount Battery
190Wh BlueShape Granite V-Mount battery, high-drain, for pro cameras and accessories.
Battery
26V V-Mount Battery for Nanlite Forza 500 / MixPanel 150
Dedicated 26V V-Mount battery pack for the Nanlite Forza 500 and MixPanel 150: full output even on outdoor locations.
Batteries
Patona V-Mount Battery
Patona V-Mount battery pack for cameras, monitors and on-set accessories.
Batteries
Dynacore 155Wh V-Mount Battery
Compact 155Wh V-Mount battery for cinema cameras, monitors and accessories: reliable power on set.
V-Mount
Jupio ProLine Extreme 207Wh V-Mount Battery
207Wh V-Mount with LCD display, USB-C PD 65W and D-Tap in/out: long runtime for cameras and lights.
V-Mount
Patona Platinum BP-270WS V-Mount Battery
High-capacity Platinum series V-Mount: extended runtime for cinema cameras, monitors and on-set lighting.
V-Mount
Dual V-Mount Battery Charger
Dual-slot charger for V-Mount batteries: always keep a pair ready between one setup and the next.
Chargers
NP-F 960 Battery
Universal NP-F series battery: powers monitors, LED lights, follow focus units and camera accessories on set.
NP-F
Sony BP-U35 Battery
Genuine 35Wh Sony battery for the FX6, FX9 and FS7: compact and lightweight, ideal on gimbals and slimmed-down rigs.
BP-U
Swit LB-SU98 Battery (BP-U)
98Wh Sony BP-U type battery for the FX6/FX9, with D-Tap and USB outputs to power your accessories too.
BP-U
Angelbird AV Pro CF 256GB (CFast 2.0)
256GB CFast 2.0 card with rock-steady sustained write: reliable RAW recording on RED KOMODO and Blackmagic.
CFast 2.0
Sony CFexpress Type A Tough 160GB
160GB CFexpress Type A Tough card, 800/700 MB/s: rugged and ideal for the FX6, FX3 and Alpha series.
CFexpress A
Pergear CFexpress Type A 512GB
512GB CFexpress Type A (VPG200): plenty of capacity for long 4K shoots on the Sony FX3, FX6 and Alpha.
CFexpress A
Angelbird AV Pro MK2 128GB V90 SDXC Card
UHS-II V90 SDXC card with 260 MB/s sustained write: uninterrupted 4K+ and RAW recording, even on long takes.
SDXC V90
Sony XQD G Series 240GB Card (for FX9)
240GB XQD G Series card: 440 MB/s read and 400 MB/s write, ideal for 4K recording with the Sony FX9.
XQD
Tilta Nucleus-M II Wireless Follow Focus
Next-generation wireless lens control system: up to 4 motors for focus, iris and zoom on cine lenses.
Follow Focus
Tilta Pocket Follow Focus
Compact mechanical follow focus on a 15mm rod, with A/B hard stops and smooth drag: precise focus pulls on lightweight rigs.
Follow Focus
Tilta Mirage Matte Box VND Kit
Ultralight matte box with a built-in variable ND module: control exposure and flare without swapping filters in front of the lens.
Matte Box
Metabones Canon EF – Sony E Adapter
Electronic adapter from Canon EF lenses to Sony E bodies: retains autofocus, aperture control and EXIF data.
Adapter
Canon EF-EOS R Adapter
Official Canon adapter for mounting EF/EF-S lenses on EOS R bodies while preserving autofocus and full communication.
Adapter
DZOFilm Octopus PL – Sony E Adapter
Professional PL cine-to-Sony E adapter with calibrated flange depth for precise infinity focus.
PL Adapter
Honda EU20i Generator (2 kW)
Silenced 2 kW inverter generator: clean, stable power to run lights and gear on set.
Generator
Starlink Satellite Internet Kit
High-speed, low-latency satellite internet: ideal for sets and remote locations with no network coverage.
Connectivity
Walkie-Talkie Radio with Earpiece
Two-way radio with earpiece to coordinate crew and departments on set. Instant communication even at distance and outdoors.
CommunicationAbruzzoRental's rental inventory brings together a wide range of equipment handpicked for professional film and video: ARRI, RED, Sony and Blackmagic cameras, Cooke, Atlas and DZO cine and anamorphic lenses, Nanlux, Aputure and Astera lighting, plus a complete grip department for every shooting need. Every piece is checked and tested before it goes out. What you see online is only part of our warehouse: if you are looking for an item that is not listed, just mention it in your quote request.
We work alongside film, commercial, documentary, music video and event productions, with delivery directly to set across the whole region: from L'Aquila to Pescara, from Chieti to Teramo. Configure your order with the online quote tool and get a clear estimate in just a few minutes.
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